Or click the government-owned net that browses us: Http://www.xingshangart.com

Actually a lot of people give recently borrowed bacterium hair message says, let borrowed these two artists below bacterium attention:

Piyeluo of abstract and painterly Great Master? Duolaqiao and be in Shanghai the Ding Jia ～ that artistic now museum exhibits

Actually this view long-standing, I also was not taken seriously, but everybody says so, I take everybody to look today, prove you are talk rubbish, hahahaha

Said again, art wants ceaseless inheritance, the likelihood is artistic namely such, this Is China, serious you were defeated

Haw, small make up above is those who say very cynicism?

Good, not talk rubbish, we still look see work

? ? ? ? ? ?

Ahead picture is too much

The depression lives to be watched slowly patiently

Because language minor details wants those who answer a question

Ding Jia

Be considered as domestic abstract art and one of its main delegate characters by commenter, as " 85 " the arisen domestic abstraction in trendy art motion gets military thing artisticly, be considered as the precursor in Chinese abstract painter even? He also is the Chinese stylist that for the world top class brand loves Ma be an official the first to design filar towel.

Often play exhibition of each district size, fair, reach hold exhibit,

Be like: Venice double year exhibit (1993) , contemporary art exhibits yokohama international 3 years (2001) , Shanghai double year exhibit (2006) , Shenzhen sculpture double year exhibit (2012) with boiler hill double year exhibit (2016) . A lot of large and artistic orgnaizations ever exhibited the work that gives him, include new York and Bierba center of art of Pi Du of bitter fleabane of art gallery of Mu of E Gugen sea, Paris, Rome is national 21 centuries art gallery, and Berlin hamburger railway station is contemporary art gallery

1993, fourth armour ginseng exhibits the 45th Venice double year exhibit, show the scene

Began of later period to continue all the time 1988 from 80 time up to now 30 years, what drawing ceaselessly is crossed(10 show)It is artistic and important to also call Chinese abstraction one of composition, define cross and rice word standard even those who be him is exclusive symbol, be like: 2015 " a list of names posted up of Chinese artistic influence " in obtain what have weight most " year artist is great award " , the word of bear the palm that the commissioner can give out is: "With nearly 30 years time is created ' 10 ' word and ' rice ' word, see this be like simple form to develop free and unique artistic language, undertake to painterly essence depth examines minutely ceaselessly. Undertake to painterly essence depth examines minutely ceaselessly..

Repeating image form like his industry cartography ceaselessly, he is guiding common people truth ceaselessly like Jesus, he " be like a god to aid " repeat also became a kind of force, a kind of energy, one kind turns the raw power as the god.

It is him definition of course " extremely brief creed artist " the work of fourth gentleman also is " contemporary " " of innovation " " substaintial " it is even " lasting " , the sort of ego believes " true " it is unassailable, he uses 30 years " ego is explored " the value that perfected ego work, repaired with tough, patience " the artistic philosophy of ego " .

Ba Sha art once interviewed Mr Guoding,

Ba Sha: Somebody is together the transitional connection of your work and Chinese city, how look upon? Fourth: Creation of 30 years, can be generalized with 3 phase. One is smooth inspect level, plane turns work, the connection that finite fluoroscopy and wave motion turn; The 2nd phase is look down at, namely fluorescent lubricious series, look down at city, billboard, neon lamp, see the course that the city changes; Arrived 2010, this angle is changed again admire inspect, some moment are sky, some moment are boundless thing. When plane changes level, my ideal is to become formalistic artist, but the transitional process as China, I was waked by the dot, then the decision visits the town of the life with another angle. -- fashionable Ba Sha is artistic

Be like fair number again: Chimney PSA writes:

Although art of fourth long-term involve is created, but he also had an insight into exquisitely located Shanghai this city the swift and violent modernization after reforming and opening is transitional, in work picture " 10 show " symbol the coordinate as mapping city. Enter 21 centuries, this Shanghai city also is in China, and even a rainbow became to twinkle in the artistic domain of the world not nocturnal city. The city that man begins to use fluorescent color to respond to a body to be in changes the setting of the process: Floodlighting of urban neon lamp, night scene, architectural, be in even the plant even nightly also be lamplight bright. Recall the fluorescent period that more than 10 years are as long as in removing its to draw, man calls them " the instinctive quality of Shanghai " , generalized this city already visional and of lights brightly lit night, also recorded artist and city between interactive.

Fourth | 10 show 2018-3 | On linden board integrated agency | 120 X 120 Cm

Fourth | 10 show 2017-18 | On linden board integrated agency | 120 X 120 Cm

Fourth " 2017-19 " , on linden board integrated agency, 120 × 120cm, 2017

Fourth " 2017-B11 " , propylene of paper begin labour, 32 × 43cm, 2017

Fourth " 1995-24 " , linen flour pen, charcoal pencil, 140 × 160cm, 1995

Fourth " 2004-B1 " , make lead of the colour on blueprint, 35 × 50cm, 2004

Fourth " 1993-7 " , cloth cover propylene, 140 × 160cm, 1993

Fourth " 2017-B20 " , the propylene on manual paper, 32 × 43cm, 2017

Fourth " 1991-1 " , cloth cover propylene, 120 × 140cm, 1991

Fourth " 1996-B24 " , the charcoal pencil on paper, chalk, 52 × 69cm, 1996

Fourth, 10 show 2016-2, 2016, the propylene on linden board is carved, 240 X 240 X 6cm

10 show board of 2016-3 2016 linden to go up comprehensive data

Fourth 10 show board of 2016-5 2016 linden to go up integrated agency 240 X 240 Cm

10 show 2015-10 linden board to go up integrated agency 480 X 240 Cm 2015

Fourth " 2018-8 " , on linden board integrated agency, 366 × 488cm, 2018

Fourth 10 show 2010 140 X 200 Cm of propylene of 2010-16 cloth cover

Since 80 time metaphase begins to create, ding Zhu gradually scanty artistic from the mainstream at that time style, in receive the west differs of the artistic style between genre after inspiring, change conciously, absorb, fashioned his distinctive artistic language gradually. And the most notable among this, it is " + " with " × " these two symbols that always appear in his work. He goes up to draw originally in canvas, chipboard, of all kinds paper, use oil, charcoal pencil or ball-pen, delay from planar brushwork extend the experiment such as device, building, try varied agency form ceaselessly. -- chimney PSA

Fourth, " 10 show 1993-B22 " , pen of mark of the color on paper, 38 × 53cm, 1993

Fourth " 10 show 1991-B9 " , paper draws originally, 36 × 48cm, 1991

Fourth, " 10 show - etch " , iron plate corrode is inflexible enchase, 40 × 40, 2016

Fourth " 10 show 2010-16 " , cloth cover propylene, 140x200cm, 2010

10 show manuscript 2008 19.5 X 27 Cm of 12 color pencil, paper

10 show manuscript 2008 19.5 X 27 Cm of 13 color pencil, paper

10 show 2015-16, 2016, 240*240*6cm, painterly, pencil of sculpture of the propylene on linden board, color

10 show 1993 90.8 X 121 Cm of propylene of 1993-21 cloth cover

10 show 1994-10 chalk, charcoal pencil, linen

10 show 93-B12 chalk, charcoal pencil, paper 1993

10 show 94-B59 charcoal pencil, Chinese ink, chalk, manual paper 1994

10 show 1994 46 X 56 Cm of 94-B61 pencil, charcoal pencil, paper

10 show 95-B63 propylene, chalk, charcoal pencil, corrugated paper 1995

10 show 97-B26-B29, 1997, the chalk on corrugated paper, charcoal pencil, 260 × 80cm, 4

10 show 1996 120 X 140 Cm of cloth of 1996-37 chalk, charcoal pencil, finished product, linen

1991

2016

The article writes so:

1988, ding Jia begins a picture " 10 show " . "10 show " it is print term, also be symbolize accurately. At that time, ding Jia uses rule and adhesive plaster job namely, he introduces the cross in his picture, form the visual effect of pure abstraction. In an article that published 1993, ding Jia says, " 10 show set " resemble accurately " 1 add 1 be equal to 2 euqally complete, affirmatory. Use clear, pure expression, abandon of dispute muddleheaded " . " 10 show " " the extraction of automatic creed is lubricious principle, be opposite namely a place of strategic importance still, Ma Di this the distrust of colour theory. Be opposite namely a place of strategic importance still, Ma Di this the distrust of colour theory..

And

First pieces of Ding Jia " 10 show " painterly creation 1988, he also is considered as art of national at that time advance guard to move " 85 trendy " (by essayist Gao Minglu is put forward) medium important member. "85 trendy " it is contemporary art and China's traditional and aesthetic break with, emerge in large numbers gives a lot of progress ideas during, this one important history level is opposite inevitably Ding Jia in the future creation of a few years produces an effect. Begin from 80 time later period, he will " 10 show " the delegate that this one mark regards structure and reason as, and the pronoun that the image that reflects thing essence behaves. Ding Jia is creating ground of the unremitting in the system independently to have artistic practice, the fast city that also witnessed Chinese contemporary society at the same time is changed reach its great change.

Of course still the article writes so:

After graduating 1983, ding Jia is allocated factory of a toy is engaged in sketch design working, working hold to a picture. He discovered in sketch design and black-and-white process " + " character date, can expect this without the person most foundation, simple symbol was gifted in Ding Jia's the wording and purpose of what one writes countless possibility, became the inspirational source that he was not created, also make the indispensable one part in Chinese contemporary art. -- chimney PSA

Fourth 10 show 2018-5 linden board to go up integrated agency 2018 120 X 120 Cm

Fourth gentleman stands in for the exhibition " the soul of the challenge " before the work of special creation

Probably this is the history in your eye

Open in artist of home of 85 trendy period actually eye when viewing the world

In distant Italy

Also have an artist silent

Drawing ceaselessly " + " and " X "

Already a few years

He is

Piyeluo? Duolaqiao

Piero Dorazio

(1927-2005)

Duolaqiao takes the place of from 1940 begin to undertake artistic activity. Waited for an artist one case with Akaerdi 1947, drafted " formal ONE " enunciative. This enunciative tenet is to use abstract language to update art. Mix by Duolaqiao, Peilili the Buddhist nun in an elongated pointed tablet of jade held in the hands by ancient rulers on ceremonial occasions, subsequently by Akaerdi, Mao Jie in, wave, Kongsagela mixes Shengfeili pursue, although its culture matrix is different, but its form studies and former and same, aim to try what behave to providing an elephant to surmount. -- Wu Jifeng of Zhao Baokang of of labour of Piao of of Piao of health Piao Zuo is made up

We were found

Duolaqiao the work of 60 time

Be in 57 years roughly -- 63 years

Reticolo, 1953

Reticolo, 1953

Title:REticolo Blu, 1957

Ohne Titel 1957

Reticolo, 1958

Giada I, 1959

VERONICA I, 1959

Senza Titolo, 1959

Sempre Al Verde, 1959

Enigma, 1959

Grey, 1957

Giada I 1959

MULTIPLICAZIONE, 1960

Pilota 21, 1962

Berlin Air, 1962

Time Locker, 1963

Reticolo, 1964

Grille Jaune (Yellow Grid) , 1963

Title:GRille II, 1964

Durante L'incertezza, 1965

PREZIOSA - 1965

CARTOGRAFIA CELESTE, 1962

Pink, 1962

Untitled, 1960

Untitled, 1960

Studio 21, 1960

Reticolo, 1960

Untitled, 1960

Ognuno Tesse Le Sue Indulgenze I, 1960

The purpose of painterly art is not make picture ably more or less, searching the crucial element that visual perception knows however, these elements created a kind of observation and the kind that understand these image.

-- Piero Dorazio, cui Prodest, 1967

What abstract work of Duolaqiao seizes is not the life, what he seizes is to be in the spot that fleeting gets on with feeling on the vision. The image of grating was reflected lyric with subtle qualitative move, flimsy but the structure is strong. The drawing of the grain of design, pure colour and light, the artist resembles weaving cotton cloth same and work hard.

However, elegant abstraction of Duolaqiao is atmosphere and empty spirit not merely, screwy reseau presents a fluent and intense brush stroke in Chinese painting and calligraphy to behave, announced the artist's extremely strong self-confidence. Lush and green vision surface, the balance between rigid structure and processing, by right of its intense colour is mixed texture is rough pulsatile, of the group form had gotten settlement it seems that, the picture is moved in the net with electrified paper feel and elegant, as if pass through secret nature. Duolaqiao puts the emphasis on the marrow of his work: The design surface itself, soft, bright and lubricious infuse, delicate, combination that assures brush stroke in Chinese painting and calligraphy, remarkable lyricism and high individuation.