On April 10, the creation career of another film Great Master was pressed calm case bolts forever. Having " video charmer " beautiful praise big Lin Xuanyan of Japanese celebrated director dies because of lung cancer, die at the age of is 82 years old. Regard the century on result rising abruptly as one of Japanese directors with 80 the most important time, of big Lin Xuanyan die to meant a times to go a few minutes further from us undoubtedly. >> > Japan directs big Lin Xuanyan to die, ever expressed to still want to be patted again 3000 the film
Big Lin Xuanyan
Regretful is, the big Lin Xuanyan that already decided archives to was shown in Japan in April formerly is made newly " seaside cinema " , must be forced because of epidemic situation to withdraw file. Someone says, big Lin Xuanyan is to maintaining last tone it seems that, awaiting the film one day, but still do not wait after all. And " seaside cinema " became his posthumous work finally at this point.
2016, lung cancer of fish of big Lin Xuanyan is terminal, be informed by the doctor leave 3 months life only. Be Ied hope, he was held out all the time by right of the perseverance with breathtaking move this year. It is to feel probably time is valuable, he is in finally in these a few years, ground of without a stop was patted one after another " beautiful basket " and " seaside cinema " . the big Lin Xuanyan that this enters an octogenarian to striding, already high yield of it may be said; More what is more,the rather that, he is created at the same time even, defy at the same time serious illness.
God-given is, finally these two films are the be a comprehensive expression of that follows his heart drive truly make. Grow 168 minutes when " beautiful basket " it is afterwards " the language of content of Hua Changgang petard in sky " and " open country 49 days " after " big Lin Xuanyan - warlike trilogy " final rule.
" beautiful basket " stage photo.
In film, if be like unreal really,big Lin Xuanyan uses exceed reality video, day type " content Ai Zhimei " with war " infinite youth " showed a kind of acme. And in spite of illness films " beautiful basket " the adventure of this honor permits no turning back, let big Lin Xuanyan if suddenly returned the period of Japanese sina tide before half century.
Posthumous work " seaside cinema " when growing is to be as long as 179 minutes more, sincerity is full. This, big Lin Xuanyan communicated him with very blunt manner " oppose war " concept. Film puts story background in eve of explosion of Japanese atom bomb, 3 youth luxuriant the youth passes through to imagine the world to the film in, witnessed flames of war diverse and confused, worldly 100 condition.
However, the tragedy of Hiroshima is destined to cannot be rescripted. What big Lin Xuanyan says no less than, "The film can not change the history, but can change prospective history probably, I hope the youth can see. " coil so the posthumous work of vast and numerous clothing slip-case for a book, since big Lin Xuanyan one the individual's film history, also be the treasure confusing a picture that belongs to our everybody.
In Japanese filmdom, of big Lin Xuanyan stand to go alone especially already be obvious to all. All along with " film author " him what profess, from enter at the beginning of going certainly oneself creative work is good. Even if also has a few to seek living on his creation personal details make commonplacely, but he most the person's hep style all along never bleak over- .
Those who fail to be shown as scheduled " seaside cinema " placard.
Pioneer, lead, weird, multicolored, be permeated with the freedom of a powerful and unconstrained style as the artist. Be born firstly eventually, no matter big Lin Xuanyan is to pat experimental film to still take commercial motion picture, can say with facility. In Japan " film a period of ten days signs up for " choose on century 80 time in 10 big directors, mu Qingshun of he and Heizeming, bell is paratactic the 7th (the creation force that 80 time make the century on the basis 10 years) .
In the film of big Lin Xuanyan, "End " it is to appear most place name. This is his birthplace, also be the film arena that lets him be missed deeply from beginning to end.
Go up century 80 time, big Lin Xuanyan with " green " for the topic for discussion, created famous " end path trilogy " , it is respectively " turn school is unripe " " pass through spatio-temporal girl " " doleful person " . Go up century 90 time, he with " die " for the topic for discussion, filmed " trilogy of path of new remaining part " , it is respectively " two people " " tomorrow " " that year of summer " .
End path, this is located in Hiroshima county the eastpart part, be close to the city with Lai thalassic door, asing if is the artistic lifeblood that mastered big Lin Xuanyan, in making his movie, be destined cannot the impress of efface.
The talk that compare end is more serious, it is film of big Lin Xuanyan is medium " ghostliness " complex. Filmgoer ever said, big Lin Xuanyan may be Japan love to pat most on shadow history " ghostliness " director.
" two people " stage photo, of little sister and elder sister ghostliness.
Patting 1991 " two people " in, the elder sister that dies because of contingency 1000 ferry child, always appear beside the little sister again and again with ghostliness configuration, will " the body is dead already, the soul does not go " demon unreal reality is deduced so that touch popular feeling all the more. And patting 1988 " deep and remote different is midsummer " in, after the soul that hero former cropland encounters deceased parents again in shallow grass, ceaseless before go visitting, become till oneself body more and more delicate in health.
But in as daily as us acknowledge with evil celebrated " ghostliness " what what differ is, below camera lens of big Lin Xuanyan " ghostliness " the generation that often is good-hearted fine be apt to. They or show a body sadly with relatives and friends or the identity with the lover, become the person that be born again people fetter, have person for " the east that is full of warmth is illusive " . Most propbably, this also is the understanding of big Lin Xuanyan to worldly life and death.
Of course, was born 1977 " phantom house " just be big Lin Xuanyan is provided most famous spent work. In this the ministry once sufferred fully in the strange imaginary motion picture of controversy, big Lin Xuanyan almost all originality that be in harmony collected him to be able to think of at that time, he applies clipping to spell the way that stick, folklore, will strange talk, the elemental mix such as advertisement, cartoon, horrible film, the living theatre, n/med the process of preparing Chinese medicine lets the person's dazzling hash meal into one boiler.
" phantom house " stage photo.
It is to be full of curious and eccentric image more in film: The psychedelic demon lens, piano that divide cadaver, bloodsucking bell, strange change the lamp of cat, acetabulum, ark that wring the flesh... that year, big Lin Xuanyan year nearly 40, taking the more than heat with sina final tide, bring a such unprecedented video experiments for Japanese moviedom. Even if also has the voice of many criticism in review group, but temple hill repairs department, Xiao Tian the aesthetic value that the power support of the person such as grand proved him undoubtedly.
And the relation of respecting big Lin Xuanyan and China, also have source quite actually. 1995, his " trilogy of path of new remaining part " one of " tomorrow " ever was seleted film festival of international of the 2nd Shanghai; 2018, his penult ministry film " beautiful basket " film festival of international of Ceng Zaibei Beijing, Shanghai has had exhibit mirror. Going up early even century 80 time, big Lin Xuanyan ever still had patted " the watermelon of Beijing " , in order to show Sino-Japanese the affiliation between.
" the watermelon of Beijing " placard.
Just think, the epidemic situation of if instantly can be retreated at an early date medicinal powder, we still have an opportunity to be in what big Lin Xuanyan sees on domestic film festival this year probably posthumous work " seaside cinema " . And if big Lin Xuanyan still can live a bit more for a long time, I think the individual character with him, can take a motion picture related to epidemic situation again probably also perhaps, it is 3 · of Japanese in those days like him 11 earths shake and pat " the language of content of Hua Changgang petard in sky " same.
□ Liu Zhiyu (film review person)
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