Special interview Wu Yusen: Force does not have aesthetic actually, my inspiration originates dancin

Had listened to a conte: A boy asks his elder brother what is all corners of the country, the brother says all corners of the country is a friend namely slotting tool of two costal region. The boy asks what is slotting tool of two costal region again, the brother also says not clear what is slotting tool of two costal region, be forced to taking the boy to see Wu Yusen's movie together, when he looks " the hero is ecru " " bloodshed Shuang Xiong " " freely the four seas " later, understood suddenly, also fell in love with this director at the same time.

Adult about is learning to smoking inferior cigarette in that, the brother that is imagining oneself to be be in distress in the age of slotting tool of two costal region, who won't be confused on such recumbent " violent aesthetic " walk the director at all corners of the country?

The numerous and classical gunfight that Wu Yusen directs piece, it is the collective memory of generation person. And cooperated with Ben Afulaike 2003 " memorial crack " later, wu Yusen had not taken an action again piece, more than 10 years are lain between when, does Wu Yusen carry newest movement again piece " chase " what kind of surprise can you bring to the audience? What reason be be before letting, tired of " dozen dozen kill kill " is Wu Yusen directed " give all corners of the country again " ? Recently, chinese film is box-office achieve content platform formerly [word amusement] the delegate that serves as new media, had exclusive special report to Wu Yusen.

To old edition " chase " , chinese audience is not new. This are by village life goes on the west origianl work novel " the river with indignant ford " adapt, act the leading role by Gao Cangjian, show at was in China 1978, lift an upsurge at that time.

2015, hong Kong extensive region inferior the film bought copyright and hand in You Wuyu dark hold guide, him Wu Yusen ever had conveyed him to be opposite in many circumstances " chase " and of Gao Cangjian love. So, wu Yusen is classical to this the retake of the story, also be Xiang Gaocang be good at greeting.

With Wu Yusen's inchoate movement piece same, gao Cangjian edition " chase " the memory that ever also was generation person, how to surmount classical, it is a difficult problem. "What actually I want retake is not this film, however origianl work novel, the novel still has old edition of a lot of stories " chase " had not used. A lot of story clues, feeling makes fun of, behaving way is to follow previously " chase " completely different, I had a lot of detail modern. I had a lot of detail modern..

The aspect is revised in the play, introduction Wu Yusen arrives, this play can pay attention to human nature quite, also told about a plot that endangers complete mankind at the same time. Two hero are to come from different country, having different culture, two people cooperate together, encourage each other, seek the truth in tandem. Besides two male advocate the friendship of awake photograph cherish, film is little also of course not romantic love. Zhang Han grants and Qi Wei just began to a lot of do not forgive with misunderstanding, but love each other again finally rose.

Grant to come to Zhang Han personate Gao Cangjian this part, wu Yusen is so think: "I feel OK a hero that his fashion into has romanticism, I am right he this performance is very satisfactory also. Of course, the hero of romanticism wants an audience to judge, my view can not represent the view of the audience. When Zhou Runfa is being patted before me for instance, the glamour that also did not think of to rely on his itself can shape the part so successfully. I just offerred a way to the actor. I just offerred a way to the actor..

In Wu Yusen's film, dove becomes a kind to symbolize it seems that. No matter be " bloodshed double hero " in from the pigeon that has flown before church chancel; Or " suddenly turn hostile " in in anthem accompany the pigeon that falls to fly together with bullet. Cathedral, pigeon, redness of skin and romance, become the distinguishing feature in Wuyu dark film already, zhou Xing gallop be in even " comedic king " in evil did one time.

New " chase " to filmgoer, wu Yusen of the most curious nothing is more... than still can return to the classic movie style previously. Mention this topic, wu Yusen laughs: "Have put dove, be close to me very much before the style of the film, dan Jiatian spectacle of a lot of actions, feelings also is very romantic, no matter be love, friendship, resemble me before the movie is same. Resemble me before the movie is same..

A few days ago, piece square also exposure the forerunner placard of element of a piece of darby, two energized hand crisscross are grasped partly in forming Wuyu dark film unforgettable " pigeon " mark, and these two hands are linked together to receive by darby. Only the United States and force, new " chase " already proclaimed oneself come from sterling Wu style.

It is reported, film already decided archives at 2018 first day of the lunar year, " chase " as a gunfight piece, why can you choose advocate dozen add up to a joyous Spring Festival archives to show? To the choice on schedule for showing motion pictures in a theater, wu Yusen does not have too much concern actually, a little excited instead. "It is pretty is hopeful that the film is returned to finally, the meeting in the lifetime that can let an audience find a person in film passes a lot of cross, but be being returned to finally is hopeful, the world still has a friendship to exist, a love can be gone after. A love can be gone after..

Friendship, love this is two themes that film institute should voice, look in Wu Yusen, deep friendship can span national boundaries, sacred fire affection can span life and death.

Arrive from 80 time at the beginning of 21 centuries, whole world of fashionable of film it may be said, slant that now young the color that can the audience that change still admire gunfight of this kind of romanticism? Last year, feng Xiaogang, Li An, Zhang Yi seeks the work that waits for big director mostly endless flexibly, or it is disturbance of experience public praise, or it is to a club for amateur performers of Beijing opera to was not amounted to anticipate, these elements are unavoidable also let industry have pair of Wu Yusen this regression is made newly having all sorts of suspiciousing.

But, from " shiver 2 " " the person that the disciple goes " " Mekong acts " wait for Hong Kong to direct dominant alarm bandit piece in light of, no matter these film are booking office or public praise, behave very bright look. [word amusement] small make up think, the account that these film acquire a success has the following at 3 o'clock: Above all the play is very strong; The character is modelled very deep; The director is relatively compact to the narrative structure of film. And from " the espionage in dish 2 " in light of the result that obtains champion of year booking office in global place, wu Yusen won't give what issue in these 3 respects, and can do weller only.

There is romantic feelings in every director heart probably, expressional kind is different nevertheless just. Alone, bear, Bei relative, jumbly and abstract, this is Wang Jiawei's romance; "Comrade Li Xiaojun, the purpose that I come to Hong Kong also is not you, the purpose that you come to Hong Kong also is not me ah " , guileless shows the gut of popular feeling is Chen Kexin's romance continuously however; And Wu Yusen is the beautification force means that uses an extreme the life in behave his heart.

From " the hero is ecru " begin, wu Yusen models his distinctive film color, hold high in the Eastern hemisphere the banner of violent aesthetic, with lowing · of the Aolifo Shidong of the Western Hemisphere and elder brother tower human relations carries Nuo echo each other at a distance. Nevertheless Wu Yusen does not agree with this one view.

"Above all myself does not speak out violent aesthetic, it is filmgoer there is what feel and send after seeing my movie. Actually force does not have aesthetic, but there is human nature inside force, have a feeling, have a romance, and this force is for a truth, sacrifice for, plus love or the happiness that are friendship, became a kind of aesthetic. Became a kind of aesthetic..

Speak of the source of violent aesthetic, wu Yusen tells [word amusement] reporter, case of his violent beautiful style of study basically suffers Zhang Che, Heizeming, Liu Jialiang to wait for the influence of a few directors. But the biggest to Wu Yusen influence not only it is these a few directors, also not be violent, however singing and dancing piece. "Actually the aesthetic feeling of a lot of movements, I am to use singing and dancing piece the principle pats. I like to dance as a child, in the school when I still teach a family to jump Tango, I pat play to resemble dancing same, stress behavioral aesthetic feeling very much, but I pat gunfight is to have a kind of feelings, not be to commit murder and commit murder, not be to shoot and shoot, that feelings confluence accomplished behavioral aesthetic inside the movement. That feelings confluence accomplished behavioral aesthetic inside the movement..

The photograph is the force in Zhang Che film, bloody to the master with solemn and stirring breath, the force in hand of Wu Yusen's director is video the treatment that passed original art to change processing and aesthetic to go up, the level that yields force and import rise to new arrangement.

From " the hero is ecru " to " the espionage in dish 2 " arrive again " annulus of peace and tranquility " , go to the mainland again to Hollywood from Hong Kong, a few years flounder pats Wu Yusen piece, created countless miracles and beautiful piece. Now, enter year of his belt of seventy years of age to wear newest movement is big " chase " return when, he still did not find a kind of state that belongs to his truly. "Every directed certain age, after reaching certain peak, can pursue additionally one kind of state, what is this state? I still am in pursue. So I should continue film, no matter be life,find a kind to me all the time, still create on, belong to my state truly. Belong to my state truly..

Speak of next plan, wu Yusen also expresses to be able to try art piece. Compare skill nevertheless piece, can move more Wu Yusen's is newsreel. "The art in 60 time piece we look so that understand, can touch, look artisticly now piece experience very hard get, likelihood everybody lives years is different. So, what let me touch truly is newsreel instead, because true, it is origin life. Newsreel does not need to pass any skill, its conference appears truely in you at the moment. No matter go saying the life of a poor pupil, or the life of a millions upon millions plute, can make me clear experience get. Can make me clear experience get..

Probably the times is changing, the audience is changing, the movie also is running, but changeless is Wu Yusen this esteem that handles the film, respect course of study and feelings. The work that directs actually directs the complete system of this individual to show namely, the director says, he every take a motion picture, pare namely the truest oneself look to the audience.

Wearing a machine when media, when making light, the Wu Yusen that sits in that to wait is quiet and dedicated. Face the spotlight of media, no matter be intermediary of portal website, paper, or from media, want you to sit to him only before, he can cooperate all sorts of your requirements with all one's strength certainly. To at the moment a such directors, are we disappointed to his work?

Chief editor: Qiu Zhuang